Home DisclaimerDonate Please!Rules Chuck Berry – St. Louis to LiverpoolNovember 1st, 2010
Chuck Berry – St. Louis to LiverpoolSpeakers Corner 180g LP / Chess 1488
Mastered by Ray Staff @ AIR-Mastering, London
Vinyl rip in 24-bit/192 kHz (converted to 24/96 & 16/44.1) | FLAC | m3u, cue & Tech Log
DR Analyze | Artwork | 630/180 mb incl. recovery | RS & Filefactory | Blues | 1964
St. Louis to Liverpool is a Chuck Berry album, released in 1964 on Chess Records.
Chuck Berry spent much of 1962 and all of 1963 in jail after being convicted on a Mann Act charge. When he emerged in January of 1964, the popular music landscape had been forever changed by the British Invasion. Fortunately artists like the Beatles and the Rolling Stones recorded his songs. The Rolling Stones included “Carol” on their 1964 debut, and the Beatles included a cover of “Rock and Roll Music” the same year on Beatles for Sale.
This inspired Berry to go into the studio to cut one of the strongest albums of his career. In addition to the hits “No Particular Place to Go” (No. 10), “You Never Can Tell” (No. 14), and “Promised Land” (No. 41), it also includes “Little Marie” (a sequel to “Memphis” that went to No. 54).
In 2008, Mobile Fidelity Sound Lab rereleased St. Louis to Liverpool along with the compilation Chuck Berry Is on Top on their Ultradisc II Gold CD.
All tracks appear to be original stereo, except for 2, 10-12, and 14.
Track listing
All songs written by Chuck Berry except as indicated.
Side a:“Little Marie” – 2:37
“Our Little Rendezvous” – 2:03
“No Particular Place to Go” – 2:44
“You Two” – 2:11
“Promised Land” – 2:24
“You Never Can Tell” – 2:43
Side b:
“Go Bobby Soxer” – 2:59
“Things I Used to Do” (Eddie Jones) – 2:42
“Liverpool Drive” – 2:56
“Night Beat” – 2:46
“Merry Christmas Baby” (Lou Baxter, Johnny Moore) – 3:14
“Brenda Lee” – 2:15
Personnel
Chuck Berry – guitar, vocalsOdie Payne – drums on 1 3 4 5 6 7 8 9 12
Willie Dixon – bass on 2 5 10 11 12
Johnnie Johnson – piano on 2 6 8 11
Fred Below – drums on 10 11
Leroy C. Davis – tenor saxophone on 2 6
Ebby Hardy – drums
Paul Williams – piano on 3 4 9
Lafayette Leake – piano on 5 10 12
Matt Murphy – guitar on 2
James Robinson – tenor saxophone on 6
Jaspar Thomas – drumsDynamic Range analyzis———————————————————————————————-
Analyzed folder: D:\Chuck Berry – St Louis to Liverpool (1964) [flac] {Speakers Corner 180g LP; 16-44}\
———————————————————————————————-
DR Peak RMS Filename
———————————————————————————————-
DR12 -0.96 dB -15.50 dB A1 – Little Marie.wav
DR11 -2.62 dB -15.78 dB A2 – Our Little Rendezvous.wav
DR11 -0.93 dB -15.23 dB A3 – No Particular Place to Go.wav
DR11 -1.13 dB -16.51 dB A4 – You Two.wav
DR12 -1.70 dB -15.95 dB A5 – Promised Land.wav
DR12 -1.29 dB -15.02 dB A6 – You Never Can Tell.wav
DR13 -1.05 dB -16.98 dB B1 – Go Bobby Soxer.wav
DR14 -0.99 dB -18.36 dB B2 – Things I Used to Do.wav
DR12 -2.68 dB -16.70 dB B3 – Liverpool Drive.wav
DR13 -1.42 dB -17.84 dB B4 – Night Beat.wav
DR14 -4.22 dB -21.46 dB B5 – Merry Christmas Baby.wav
DR11 -3.65 dB -17.13 dB B6 – Brenda Lee.wav
———————————————————————————————-
Number of files: 12
Official DR value: DR12
=============================================================================================
Technical LogRCM Hannl ‘limited’ with “Rotating Brush”Music Hall MMF 9.1 Turntable
Tonearm: Pro-Ject 9cc evo with Pure Silver Wires
Cartridge: Nagaoka MP-500
Brocksieper Phonomax (Tube Phono PreAmp) (temporarily replaced by “ProJect Tube-Box 2 SE)
E-MU 0404 external USB 2.0 Audiointerface
Interconnections : Silent Wire NF5
WaveLab 6 recording software
iZotope RX Advanced 1.21 for resampling and dithering
Vacuum cleaning > TT > Brocksieper Phonomax > E-MU 0404 > WaveLab 6 (24/192) > manual click removal >
analyze (no clipping, no DC Bias offset) > converted to 24/96 (16/44.1) with iZotope RX Advanced 1.21
> split into individual Tracks > FLAC encoded (Vers. 1.21)
No silence been removed, please burn gapless to match original tracklayout.
Personal NoteWith my vinyl transfers, I try to catch the whole beauty of vinyl records; therefore I don’t use any post-processing or any sound improvement. What you get is a clear and flat transfer. For getting a clear sound, I’ll do an extended washing of each record with my RCM, which can take up to 30 minutes brushing on each side. Resistant ticks and clicks I try to remove as good as possible, but the priority is not to lose any musical information in the process. Surface noises, as long they are not too high, are left in place. Only on bad pressings or on records recorded at extremely low levels do I use a fade in-/-out. As John Peel said, “Life is full of surface noises.” In some cases this means that I have to make a compromise…. The result has to pass my personal quality criteria, which is IMO quite high.Links: (File Factory) FolderLinks: (RS.com) Folder
All files are within the folders. Rapidshare-users have to switch from “Gallery view” to List view” to see the links.
High resoulution files are marked as 2496, CD-compatible files as 1644
The files are interchangeable!!!
Pass: aksman
Hope you enjoy!!!
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